The Sacrifice of Iphigenia - Pompeo Batoni
Description
On the altar steps, dressed in blue and draped in red, Clytemnestra is fainting. In the left foreground, Agamemnon veils his face; unless Agamemnon is the horseman turning away on the right. At top left stands the statue of Diana holding her bow, a promise of divine intercession.
1. The painting is neither signed nor dated.
2. The painting was loaned to the museum by the Count of Wemyss and March.
The family has owned the painting for over two centuries.
The painting appears for the 1st time in 1771 in the inventory of paintings at Amisfield, a mansion near Haddington built for Francis Charteris by Isaac Ware in the 1750's. It is believed that David, Lord Elcho, the elder brother of Francis Charteris, 5th Earl of Wemyss de jure, purchased and perhaps even commissioned the painting. Lord Elcho returned to Scotland in 1741, after a trip to Europe: he was able to visit the studio of Batoni, who was then a history painter and had not yet converted to the more lucrative portraits.
3. A reduced version of this composition exists in the collection of the Earl of Yarborough.
.Technical Data
Notice #001230