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Haria and her dogs (Denis Diderot, Les Bijoux indiscrets, 1748, fig. 4)

Date :
1748
Type of image :
Gravure sur cuivre
Dimensions (HxL cm) :
11,5x7 cm
Y2 12479
Legend

Description

Haria is a wealthy widow from Banza who prefers her dogs to her lovers. Yet she decides to marry young Sindor, who is attracted by her fortune. The scene depicts Haria and Sindor's wedding night. Sindor is unable to get into Haria's bed to consummate the marriage. After expelling all the other dogs from the bed, he grabs Medor by the leg to try to dislodge him. But Medor resists: 

"He annoyed Médor with his right hand. Médor, attentive to this movement, did not notice that of the left, and was taken by the collar" (folio, p. 143).

The engraver has superimposed on this scene of the bloody nuptials that of Zinzoline's death, defenestrated by Sindor. It all begins when "the doggy [...] bit the fat of her leg" (p. 141). The bed with its canopy is where the stage action takes place, Medor's interposition between Haria and Sindor. The cone of light that extends from the three candles on the far right wall to Haria's half-dressed body is the cone

.
History :

1. Top right reads "T.1 Pag.232"
. 3. Compare, for the theme here parodied and for the device, with Titian's Diana and Actaeon: the painting was in the eighteenth-century Palais-Royal gallery (see link).

Indexed items :
Tableau sur le mur
Sol en damier
Rideau(x) de lit
Femme étendue sur un lit
Ciel de lit
Chien
Textual Sources :
Diderot, Les Bijoux indiscrets (1748)

Technical Data

Notice #001287

Image HD

Past ID :
A0606
Image editing :
Scanner
Image Origin :
Montpellier, Inst. de rech. sur la Renaissance l’âge classique & les Lumières