16th century fiction | Utpictura18

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1266 notices. Affichage des notices 337 à 357.

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The jasmine vine (Hypnerotomachia 1499, p. 142)

Thelemie's kiss. Les demoiselles lascives (Hypnerotomachia 1499 p. 140)

The middle door: Philtrone (Hypnerotomachia 1499, p. 139)

The door on the left: Euclelia (Hypnerotomachia 1499 p. 137)

Door on the right: Theude (Hypnerotomachia 1499, p. 136)

Hieroglyphic of half-seated woman (Hypnerotomachia 1499, p. 133)

Jupiter enthroned over the fallen Giants (Hypnerotomachia 1499, p. 132)

Perpetual fountain on a cart (Hypnerotomachia 1499, p. 115)

Frieze sculpture with ox head and children (Hypnerotomachia 1499, p. 97)

Harpy fountain (Hypnerotomachia 1499 p. 90)

Allegory of loss: picking flowers (Hypnerotomachia 1499, p. 35)

Allegory of time: dancers with two faces (Hypnerotomachia 1499, p. 34)

Copper horse (Hypnerotomachia 1499, p. 32)

Danish knights seduced by Armide's nymphs - François Lemoyne

Tancredi confronts Clorinda - Paolo Finoglio

Overture to the chambre défendue. Act V (Lully/Quinault, Amadis, 1719)

Urgande emerges from the serpent vessel. Act IV (Lully/Quinault, Amadis, 1719)

Ardan-Canile's shadow rises from the grave. Act III (Lully/Quinault, Amadis, 1719)

Amadis versus the demons of Arcalaüs. Act II (Lully/Quinault, Amadis, 1719)

Games in honor of Oriane. Act I (Lully/Quinault, Amadis, 1719)

Urgande and Alquif under a rich pavilion. Prologue (Lully/Quinault Amadis, 1719)