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Stéphane Lojkine, " Les deux voies : scène et discours dans La Nouvelle Justine de Sade ", Le Roman libertin et le roman érotique, Les Cahiers des paralittératures, dir. Jean-Marie Graitson, n°9, 2005, p. 115-135.
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149 notices. Affichage des notices 106 à 126.
Articles
Julie's death : the screen as cut, vision, envelope
The screen cut : encounter and absence
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Crébillon lived in Marivaux's society. Like him, he frequented the Théâtre des Italiens. With him, he participated in the agapes of the Société du Caveau. His oriental libertine tale, Tanzaï et Néadarné, histoire japonoise, also known as L'Écumoire...
" She's very sensitive : yesterday after supper, I was reading her a book, in which is the epistle of a certain Ariadne, to a traitor named Thésée, who had abandoned her on a desert island, while she was asleep : In the middle of my...
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The description of a painting often gives the impression of referring only to one referent : the actual canvas that the text describes. Diderotian criticism has made a major effort in recent years to elucidate the Salons from this perspective....
Our modern conception of description is largely dependent on the realist novel, in which Gérard Genette distinguishes four genres of narrative: narration, description, dialogue and discourse1. Such a categorization implies a division of the...
The telescoping of differences
We might think a priori that the construction of a poetics, the reflection on a poetics of representation inevitably leads to the establishment of divisions. Division seems to be the theoretical operator of all...
In the 1760s, the Salons experience confronted Diderot with what was then called pittoresque allegory, i.e. allegorical paintings. At first glance, he seems to espouse the ideas of Abbé Du Bos, whose criticism of allegory is based on a mistrust...
We'd like to ask here what "writing about painting" might mean in the context of Diderot's Salons. We'll rule out from the outset the production of a discourse taking painting to be the indirect object of an aesthetic theory, or even simply a...
" Inversion. s. f. Action by which something is reversed, turned upside down. Inversio. Problems in Geometry and Arithmetic are often proved by inversion 1. Inversion.
Inversion. Grammar term. A way of arranging words in a sentence in an order...
Course on Diderot's Salons December 2007 In "Diderot dans l'espace des peintres", Jean Starobinski writes: "the arts are linked, for Diderot, to the life of feeling: and feeling is only really feeling if it is mobile, variable, inclined to excess,...
Diderot was born in Langres on October 5, 1713. The town, he would recall in the Encyclopédie article LANGRES, is fourteen leagues from Dijon, forty from Reims, sixty-three from Paris. His mother's family included several parish priests and a...
What is a thought? A thought can be seen as a process (the act of thinking) or as a result (what has been thought). Scholarship is generally interested in the result. But this approach proves inoperative in the face of Diderot's work.
Diderot's...
Le Rêve de D'Alembert contains hypotheses, bold statements that rudely clash with commonly accepted eighteenth-century opinions. On a philosophical level, Diderot methodically and systematically breaks with Cartesian dualism, which articulates and...
Logic of discourse: the paradox of the Paradox
The cry and decency (affirmation and dispossession)
""But decency! decency!"
That's all I hear repeated. Barnevelt's mistress enters her lover's prison disheveled. The two friends embrace and...